“ Just A ‘Wearyin’ for You” was her first big success in 1901. She writes heart songs from her big heart through tears in a dream world of melody and poetry for the people and of the people, charming a music loving world.” As Edwin Palmer restates in “The History of Hollywood” what her bound volume of music stated, “At heart she is a child of nature, of flowers, of all things beautiful. She also wrote greeting cards, poems and mottoes. Most of Jacobs-Bond’s work would be called sentimental today, dealing with emotions like family and romantic love, happiness, and sorrow. She began giving real concerts and recitals and gradually began making money as serious performers like Madame Ernestine Schumann-Heink and Chauncey Olcott sang her works in concert. No sound came from the audience and when she began “one of my daintiest little songs, a veritable tumult rushed at me from the audience.” The audience mocked her before the curtain dropped in front of her and she ran home crying. In a newspaper story, Jacobs-Bond states that she walked out on stage with lilies clutched to her chest. Starting a little “store” called the Bond Shop, with her stock stored in a bedroom closet, Jacobs-Bond began publishing and promoting her own work, attempting to appear on the vaudeville stage. For several years, Jacobs-Bond sang her way to California in railroad sitting cars, remaining for two months at the Hollywood Hotel, singing songs in exchange for room and board.Ī publisher bought some songs and they made a little money, without much support or publicity. John Philip Sousa’s band played her instrumental compositions. Newspaperwomen began introducing her to musicians and composers, helping promote her work. But for poverty I may never have written the songs that have brought success.”Īfter struggles getting publishing companies interested in her work because she was a woman, Jacob-Bond’s first published composition was the children’s song “Is My Dolly Dead?,” which later became a hit in a musical show. Jacobs-Bond later wrote in her 1927 memoir, “Roads of Melody,” “I am glad I have been poor, being poor makes one more human. In a foreword to “Songs Everybody Sings” she notes that many of her songs came from improvised tunes she hummed while painting china, to which she later added verses. She suffered depression trying to stay afloat. They moved back to Chicago, into a $15-a-month room, where she composed songs, painted china, rented rooms, sold off furniture, anything to make money to survive. Her poor business skills caused it to founder. ![]() Jacobs-Bond and her son moved out of Chicago, and she attempted to run a boarding house. In 1894, the doctor was tragically killed when he slipped on an icy sidewalk and hit his head after a child pushed him, dying five days later. Jacobs-Bond began selling some of her songs, which helped their financial condition. ![]() Bond suffered financial calamity after the mining company declared bankruptcy. ![]() The doctor encouraged her love for music and her nascent composing skills. ![]() They all moved to a mining camp where he cared for miners and their families and invested in the mining company. Smith in 1880, when she was 18 and had a son within a couple of years, but divorced him within seven years. Mary Mallory’s “Hollywoodland” is available for the Kindle at At the age of 4, she could play the piano and could play by ear at the age of 7. Jacobs-Bond tried to live faithfully and gratefully long before there was Dale Carnegie or televangelists preaching the power of positive thinking.įrom an early age, Jacobs-Bond exhibited a love and talent for music. She endured tragedies and struggled for many years before finally finding huge success and happiness in her Hollywood home. Mostly forgotten today, Jacobs-Bond was one of the most successful composers of the 20 th century. Long before Harold Arlen wrote “Lose That Long Face” for “A Star Is Born” starring Judy Garland, songwriter Carrie Jacobs-Bond practiced those words.
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